Archive for the ‘Printers’ Category
Maps Only: Radical Cartography in Contemporary Art, has been in the works for a year or so. The show opens at 7pm, on May 26th and hangs until June 25th, 2012, at Back to the Picture Latin American Gallery, 934 Valencia Street, between 20th and 21st Streets, in San Francisco’s Mission District.
Brian Jones work, “Pistol Pop N Dada” “A secret history tracing the development of what was to manifest itself as ‘punk graphics’ in late twentieth century Britain, back through Pop Art, John Heartfield and ultimately to Dada. The piece is based on the research that I did for an (as yet) unpublished book of the same title. It’s been in my head for years. I had always intended that there ought to a ‘map’ to accompany it, and sketched the rough idea, then put it aside to mature.”
Char Green, “San Francisco in My Hair”, “Our personal geography, the landscapes that surround us throughout out lives, shape who we are, in ways that reach to the very heart of who we are, leaving their indelible marks – their maps – upon us.”
Deborah Sciales, “Transmigration of Radiation: We all live in Japan.” “Radiation still leaks from the now-closed Fukushima Daiichi nuclear plant, where 100,000 people have been evacuated from a 12-mile no-go zone. The reactor involved was designed by the Southern California-based Rosemead utility, Edison, and foisted on the Japanese by the US government. This work is in no way reproachful of the Japanese people, but rather is a condemnation of US policies of nuclear imperialism as practiced internationally.”
Fernando Marti, “Mis Misiones.” “My art explores the clash of the Third World in the heart of Empire, and the tension between inhabiting place and the urge to build something transformative.”
Heather Green, “Impact Study”, “In an environment that is rapidly transforming due to human impacts, something as simple as the far reaches of the ebbing tide or as complex as the interconnected and biodiverse forms exposed during its wake may go unnoticed. My projects and installations explore and pay homage to peripheral or even vanishing places and species whose delicate survival depends on our awareness of them. The majority of my work focuses on La Cholla, a small place near Puerto Peñasco in Sonora, Mexico, a place I have known my whole life. By focusing on a singular place my work aims to engender witness, wonder, and regard. Through a phenomenological investigation of counting, charting, collecting and displaying what is found in this region, I invite speculation about what can be known and what will remain unknowable, what can be seen and what will never be seen again.”
Mary Brown, “Relocation”, ” The map “Relocation” reflects my interest in take-able public art, treasure maps, and underlying historical layers.”
Oliver Lowe, “Legend of Lost Rumbullion,”, “It is the Age of Reason, and Science heralds the foreshortening of the World. As Empirical and Scientific expeditions proliferate, defining and quantifying the Known (and Unknown) Worlds, more and more the Fantastic and the Fabled are forced to recede into the Realm of Mythos.
Randy Figures, “Aestos”, one section of a mythical map that has been in the works for years and is being shown for the first time in the Maps Only show.
The Reverend Lordrifa, “True North”: A Consecration of Polar Dimensions” an audio map in 5 dimensional space, with images of Holy Sites projected onto coordinates. The Reverend’s band, “True North” will film and interview the artists after their audio performance, another part of their performance.
Richard Keltner, “Another House” and ” Top of the Bay”, a man of few words, “my preferred medium is pastels.”
Sarah Dorrance, “Infinite Possibilities”, deals with issues of permanence.
I was inspired to write after reading UK artist, Brian Jones’ email describing his map. An integration of punk graphics, Dada, in an imagined city, or on a ‘family tree’, all in print form. Recently censored, his print, ‘Broke Back Britain’ is a play on british stereotypes. It gave me a chuckle. You can see his work at email@example.com
Today, I worked on the show I am curating, “Maps Only” 2012 in San Francisco.
I began talking with 3 of the 11 artists about their Maps; what medium, how big, their idea? I’m interested in the process and especially interested in the group process.
One of the artists, an artist I know very well, almost quit before beginning. Artists can be this way; I’ve been this way. I tried to be clear and matter-of-fact. I really want her to create a map, she’s quirky, intelligent and a talented user of bright colors. She would be patient with me. I will be patient with her. She agreed to let me include her in a group e-mail, but said, “I probably won’t talk with any of the other artists over the web.” I hope she will, but of course, this is her process and she’s still part of the group.
Another of the artists has been working on a map for 10 years. When I invited him, I had no idea. This map will not be ready to show he informed me, so he’s a bit more relaxed and is looking forward to making a map, possibly a fantasy map. I wonder what this will look like, what fantasy map he will imagine?
The last of the three artists I spoke with is going on vacation. In one sentence he said, I won’t work on it while I am gone, but I might work on it, you never know, he said, I’ll just see what happens. He was happy as he pondered his map. I was happy pondering his map.
I even worked on my Ansel Adams Wilderness Topographical Map. I can see it coming together. It’s the process.
Recenty, I have spoken to two artists that after having been told their work would be shown in public places, a cafe and the Wrexham Print International, both this year, 2011 and were censored.
Yesterday, I was in the gallery where the Maps Only show is going to hang in 2012 and there was the woman who had her work deemed unpalatable for coffee drinkers and was asked to take it down by the owner or manager, or someone in charge. So, because she was in the gallery with her work, saying she had gotten another show because of this censorship, I asked if I might see the work. She showed me anything I wanted to see.
I was shocked! This was censored work!? There was nothing at all that seemed to me inappropriate. Really Not-a-thing. She said the show was about emptying her mothers house after she had died. The image I really liked was of a dog and a clock; the only mammal in the show, in a room with a clock marking the time. The dog looked at the camera with a dog kind of look, there was a peaceful feel to the image. She will be showing this censored show in some radical gallery in Oregon.
The other artist censored, Brian Jones just happens to be making a Map for the Maps Only show in San Francisco, 2012. His print Brokeback Britain was to have been shown from 25th March to 18th May, 2011 in Oriel Wrecsam, before touring Britain for the next 12 months.
I laughed when I saw it, which is what he said he hoped would happen. I saw the HOT pink print, but it’s available in other colors. It’s ‘clearly’ of the prime minister and his deputy, facing one another, dressed in cowboy outfits, no pants. When I communicated with Brian he said “being a cowboy” in Britain refers to a workman that does a bad job, particularly a builder and the phrase “all mouth and no trousers” means spouting-off without substance, hence the the image. If you don’t want to see male parts, don’t go to his site
If you do go not mind seeing male parts and go to his site please let him know where you read it.
I thought the print was funny, intelligent and political at a time when we need to be able to express our thoughts with art or possibly lose our right.