Archive for the ‘Maps Only 2012’ Category
I was outside of my studio, watering the San Francisco, Mission District, neighborhood front yard garden when Fernando Marti, an artist, map maker and architect walked up with his young son.
We spoke just a bit before Fernando asked his son if he remembered the Maps Only show. He didn’t remember the Maps Only show he said, which was not surprising to me, ” as he is just a little boy.” Fernando made a soft musing sound and then asked, “do you remember the Pirate Show”? “Oh yes”, he remembered the Pirate Show!
The Pirate, Oliver Lowe stole the 700 plus crowds heart with his performance, installation and map. Many thanks to Oliver for influencing one of the younger attendees of Maps Only:Radical Cartography in Contemporary Art, “influencing the crowd is always my goal.”
The walls were painted, the floor adorned with a painted compass rose; a collaboration of Oliver Lowe, Deborah Scailes and Char Green, with much feedback from the gallery. The walls got the artists names, and their art work was hung by Kevin Evenson of firstname.lastname@example.org, May 25th, 2012.
Tempers flew, in not a bad way, food was eaten, wine drunk and relationships forged at this show. It was really a great evening of Art and an artful moment. In presenting MAPS ONLY: RADICAL CARTOGRAPHY IN CONTEMPORARY ART I wanted the ‘artful moment‘. I wanted the gathering together and hanging of the art, to be Art. I really like the artful part of Art. The artful part of Art shares food, wine and lemonade. The artful part patches walls for one night and paints on the floor for 2 nights. This hard work or Art in this collaboration between the artists in this show was over in a moment.
Widely attended in the Mission District, Maps Only was a wild success!
As the curator there were many successes for me personally; Artists sold their work and met lovers of their personal maps, there is no greater compliment. Char Green’s “San Francisco in My Hair”, Fernando Marti’s “Mis Missiones” and Richard Keltner’s “Top of the Bay” all found new wall hooks and “Mission Possible: A Neighborhood Atlas”, a broadside of maps, have few left in this print run. I was thrilled to be asked to collaborate by a SOMA Gallery!
ART in pirate garb, Oliver Lowe regaled the huge and often crushing crowd, while many drank grog and were saved of scurvy, at the same time folks were educated by Deborah Sciales’, “Transmigration of Radiation: We All Live in Japan”. Brian Jones’ “Pistol Pop and Dada” gave us insight into British and U.S. Punk and is being considered by a serious collector.
“Lordrifa” and “True North”, performed their audio map to a room so full they were unable to move from their latitudinal and longitudinal locations.
Randy Figures met a woman who is following the progress of his map, “Aestos” a fantasy world map, in hopes of investing in “Aestos” in the book form.
“Relocation”was Take-Able and many were, thanks to Mary Brown and art is touchable thanks to Sarah Dorrance’s, “Infinite Possibilities”, dedicated to Helen Martin 1957-2012, Nellie Stine and my Grandmother Lucille Carter Merritt 1922-May 31st, 2012.
Maps Only: Radical Cartography in Contemporary Art opened May 26th and hangs until June 25th, 2012 and can be seen at Back to the Picture, The Latin American Gallery, 934 Valencia Street, San Francisco, California. Please come and be educated!
You are invited to see, hear and touch some of the maps, and meet the artists of “Maps Only: Radical Cartography in Contemporary Art,” May 26th, 7pm-10pm, Back to the Picture Latin American Gallery, 934 Valencia Street, between 20th & 21st Streets, in the Mission District of San Francisco, California. Parking will be limited so please walk, ride your bike or use public transportation if at all possible.
There has been an addition and one very sad loss to ‘Maps Only’. Heather Green’s, “Swedish Lesson” was damaged in shipping and will not be shown. This is a huge loss for the show, we can hardly imagine how it is for Heather Green. Look for her work, it is well worth seeing!
On another note, ‘Maps Only’ is very excited to collaborate with Lydia Chavez of Mission Local and Darin Jensen and Molly Roy of UCBerkeley in showing “Mission Possible: A Neighborhood Atlas.” These local Mission maps are all different and have many cartographers. Too numerous to mention here, the cartographers will be cited for their maps, so please come see these very different maps of the very same place. The profits from these maps will go to ‘Mission Local’, non-profit news service.
Come support your local news and the artists participating in “Maps Only: Radical Cartography in Contemporary Art,” May 26th, 2012, 7pm until 10pm 934 Valencia Street, San Francisco, California. The show will run until June 25th 2012.
Maps Only: Radical Cartography in Contemporary Art, has been in the works for a year or so. The show opens at 7pm, on May 26th and hangs until June 25th, 2012, at Back to the Picture Latin American Gallery, 934 Valencia Street, between 20th and 21st Streets, in San Francisco’s Mission District.
Brian Jones work, “Pistol Pop N Dada” “A secret history tracing the development of what was to manifest itself as ‘punk graphics’ in late twentieth century Britain, back through Pop Art, John Heartfield and ultimately to Dada. The piece is based on the research that I did for an (as yet) unpublished book of the same title. It’s been in my head for years. I had always intended that there ought to a ‘map’ to accompany it, and sketched the rough idea, then put it aside to mature.”
Char Green, “San Francisco in My Hair”, “Our personal geography, the landscapes that surround us throughout out lives, shape who we are, in ways that reach to the very heart of who we are, leaving their indelible marks – their maps – upon us.”
Deborah Sciales, “Transmigration of Radiation: We all live in Japan.” “Radiation still leaks from the now-closed Fukushima Daiichi nuclear plant, where 100,000 people have been evacuated from a 12-mile no-go zone. The reactor involved was designed by the Southern California-based Rosemead utility, Edison, and foisted on the Japanese by the US government. This work is in no way reproachful of the Japanese people, but rather is a condemnation of US policies of nuclear imperialism as practiced internationally.”
Fernando Marti, “Mis Misiones.” “My art explores the clash of the Third World in the heart of Empire, and the tension between inhabiting place and the urge to build something transformative.”
Heather Green, “Impact Study”, “In an environment that is rapidly transforming due to human impacts, something as simple as the far reaches of the ebbing tide or as complex as the interconnected and biodiverse forms exposed during its wake may go unnoticed. My projects and installations explore and pay homage to peripheral or even vanishing places and species whose delicate survival depends on our awareness of them. The majority of my work focuses on La Cholla, a small place near Puerto Peñasco in Sonora, Mexico, a place I have known my whole life. By focusing on a singular place my work aims to engender witness, wonder, and regard.
Through a phenomenological investigation of counting, charting, collecting and displaying what is found in this region, I invite speculation about what can be known and what will remain unknowable, what can be seen and what will never be seen again.”
Mary Brown, “Relocation”, ” The map “Relocation” reflects my interest in take-able public art, treasure maps, and underlying historical layers.”
Oliver Lowe, “Legend of Lost Rumbullion,”, “It is the Age of Reason, and Science heralds the foreshortening of the World. As Empirical and Scientific expeditions proliferate, defining and quantifying the Known (and Unknown) Worlds, more and more the Fantastic and the Fabled are forced to recede into the Realm of Mythos.
Randy Figures, “Aestos”, one section of a mythical map that has been in the works for years and is being shown for the first time in the Maps Only show.
The Reverend Lordrifa, “True North”: A Consecration of Polar Dimensions” an audio map in 5 dimensional space, with images of Holy Sites projected onto coordinates. The Reverend’s band, “True North” will film and interview the artists after their audio performance, another part of their performance.
Richard Keltner, “Another House” and ” Top of the Bay”, a man of few words, “my preferred medium is pastels.”
Sarah Dorrance, “Infinite Possibilities”, deals with issues of permanence.
Heather Green, is an artist deeply involved in preserving the land and ocean, everywhere, with a lifelong attachment to La Cholla, Mexico, the Sea of Cortez. She wrote asking me to write a letter to the organization below, as I also have a long time attachment to this area.
Intercultural Center for Study of Deserts and Oceans, AC
Puerto Penasco, Sonora, Mexico C.P. 83550 Phone and FAX: 01 638.
And now! I’m asking you to also write a letter. Please, read the letter provided below and request the resort builders follow the law, quit negatively impacting the La Cholla estuary and tell them to stop immediately. This estuary is very important to ‘our’ environment, also known as Earth, and livelihoods of the Mexicans that live in the La Cholla neighborhood
granite rocks up close, Sea of Cortez
Sunset in La Cholla, Mexico
Water into the granite rocks, regularly water free
Sea of Cortez
Granite rocks, Sea of Cortez
Tide coming in
Sea of Cortez
Tide going out, Sea of Cortez
I have added the translated letter to this story and just added email addresses today, provided by Paloma and Hita from CEDO, so you can send your thoughts immediately.
Lic. Abigail Galvez
Ecol. Martín Saú
RB. Alto Golfo de California y Delta del Río Colorado
M. en C. Oswaldo Mendoza
Desarrollo Urbano y Ecología}
H. Ayuntamiento de Puerto Peñasco
Paloma and Hita
CEDO-Intercultural Thank you very much!!!
13 de septiembre 2011,
Puerto Peñasco, Sonora
Lic. Rafael Carlos Quiroz Narváez
Delegado Regional de PROFEPA
P R E S E N T E :
Through this I extend the complaint relating to modifications in the flow of water from two channels in the estuary La Cholla (within ZOFEMAT), adjacent to the facilities at the Laguna del Mar located in the town of Puerto Penasco , Sonora.
It should be noted the Estero La Cholla is located within the buffer zone of Biosphere Reserve of the Upper Gulf of California and Colorado River Delta as well as being part of the object of conservation Adair Bay Ramsar site.
In Field trips conducted by the Coastal Conservation team for bird monitoring in wetlands, on April 1 this year, we saw the first modifications that were doing in a creek channel.
The channel had the presence of stones, sheets and partitions proved the beginning of construction on the channel of the estuary. During this visit we crossed the facilities at the Laguna del Mar and found near your golf course, material and construction equipment with the same characteristics as of the material that was in the channel of the estuary.
Later on July 29, on a tour to the same stream where the team Coastal Conservation CEDO team was giving a bird monitoring trainig to monitors form Community Network Ejidos Adair Bay Wetlands (REHBA) we find a modification of a stream channel more advanced. A stream channel is completely closed thereby altering the flow of water from this. A few meters there was evidence of the beginning of a new building that showed the close of the second channel of the same estuary.
In August 2, we received a report by REHBA group monitoring and surveillance, which works under PROCODES supported by the RB of the Gulf, where we are given notice of what was found on its tour, the two channels of the cholla near the Laguna del Mar complex are sealed in their entirety. CEDO Team for Coastal Conservation comes the same day to the place and finds staff hired by Laguna del Mar making modifications with machinery, we found out it was people working for the resort because they were asked and they did provided this information. Data were collected from the coordinates of the two points where the channels are modified: Channel 2 (N 31.34630 W113.60809) and channel 2 (N 31.34537 W 113.60799).
REHBA and CEDO we gave notice to the staff of the RB. Upper Gulf which asked us to file the complaint directly to PROFEPA.
Yesterday, September 12, 2011, at a CEDO training meeting imparted to Sub Rocky Advisory Council of the Upper Gulf RB, CEDO asked ecology municipal authorities and urban development to support in the denunciation of this acts, so it is that this complaint is made to continue the environmental protocol to PROFEPA, waiting obtain a response to stop and protect the ecological character of this valuable ecosystem which is also part of an ANP and a place at International Priority.
No more for now, thank you for your attention and ask to take action as soon as possible to stop this damage to the ecosystem of the estuary La Cholla.
TOTAL REQUEST CONFIDENTIALITY
Intercultural Center for Study of Deserts and Oceans, AC
Puerto Penasco, Sonora, Mexico C.P. 83550
Phone and FAX: 01 638
P. S. We attach photographs of the changes.
complaint with these acts, which is that