You are invited to see, hear and touch some of the maps, and meet the artists of “Maps Only: Radical Cartography in Contemporary Art,” May 26th, 7pm-10pm, Back to the Picture Latin American Gallery, 934 Valencia Street, between 20th & 21st Streets, in the Mission District of San Francisco, California. Parking will be limited so please walk, ride your bike or use public transportation if at all possible.
There has been an addition and one very sad loss to ‘Maps Only’. Heather Green’s, “Swedish Lesson” was damaged in shipping and will not be shown. This is a huge loss for the show, we can hardly imagine how it is for Heather Green. Look for her work, it is well worth seeing!
On another note, ‘Maps Only’ is very excited to collaborate with Lydia Chavez of Mission Local and Darin Jensen and Molly Roy of UCBerkeley in showing “Mission Possible: A Neighborhood Atlas.” These local Mission maps are all different and have many cartographers. Too numerous to mention here, the cartographers will be cited for their maps, so please come see these very different maps of the very same place. The profits from these maps will go to ‘Mission Local’, non-profit news service.
Come support your local news and the artists participating in “Maps Only: Radical Cartography in Contemporary Art,” May 26th, 2012, 7pm until 10pm 934 Valencia Street, San Francisco, California. The show will run until June 25th 2012.
Graffiti art on a solar powered electric meter, anonymously placed.
Maps Only: Radical Cartography in Contemporary Art, has been in the works for a year or so. The show opens at 7pm, on May 26th and hangs until June 25th, 2012, at Back to the Picture Latin American Gallery, 934 Valencia Street, between 20th and 21st Streets, in San Francisco’s Mission District.
Brian Jones work, “Pistol Pop N Dada” “A secret history tracing the development of what was to manifest itself as ‘punk graphics’ in late twentieth century Britain, back through Pop Art, John Heartfield and ultimately to Dada. The piece is based on the research that I did for an (as yet) unpublished book of the same title. It’s been in my head for years. I had always intended that there ought to a ‘map’ to accompany it, and sketched the rough idea, then put it aside to mature.”
Char Green, “San Francisco in My Hair”, “Our personal geography, the landscapes that surround us throughout out lives, shape who we are, in ways that reach to the very heart of who we are, leaving their indelible marks – their maps – upon us.”
Deborah Sciales, “Transmigration of Radiation: We all live in Japan.” “Radiation still leaks from the now-closed Fukushima Daiichi nuclear plant, where 100,000 people have been evacuated from a 12-mile no-go zone. The reactor involved was designed by the Southern California-based Rosemead utility, Edison, and foisted on the Japanese by the US government. This work is in no way reproachful of the Japanese people, but rather is a condemnation of US policies of nuclear imperialism as practiced internationally.”
Fernando Marti, “Mis Misiones.” “My art explores the clash of the Third World in the heart of Empire, and the tension between inhabiting place and the urge to build something transformative.”
Heather Green, “Impact Study”, “In an environment that is rapidly transforming due to human impacts, something as simple as the far reaches of the ebbing tide or as complex as the interconnected and biodiverse forms exposed during its wake may go unnoticed. My projects and installations explore and pay homage to peripheral or even vanishing places and species whose delicate survival depends on our awareness of them. The majority of my work focuses on La Cholla, a small place near Puerto Peñasco in Sonora, Mexico, a place I have known my whole life. By focusing on a singular place my work aims to engender witness, wonder, and regard.
Through a phenomenological investigation of counting, charting, collecting and displaying what is found in this region, I invite speculation about what can be known and what will remain unknowable, what can be seen and what will never be seen again.”
Mary Brown, “Relocation”, ” The map “Relocation” reflects my interest in take-able public art, treasure maps, and underlying historical layers.”
Oliver Lowe, “Legend of Lost Rumbullion,”, “It is the Age of Reason, and Science heralds the foreshortening of the World. As Empirical and Scientific expeditions proliferate, defining and quantifying the Known (and Unknown) Worlds, more and more the Fantastic and the Fabled are forced to recede into the Realm of Mythos.
Randy Figures, “Aestos”, one section of a mythical map that has been in the works for years and is being shown for the first time in the Maps Only show.
The Reverend Lordrifa, “True North”: A Consecration of Polar Dimensions” an audio map in 5 dimensional space, with images of Holy Sites projected onto coordinates. The Reverend’s band, “True North” will film and interview the artists after their audio performance, another part of their performance.
Richard Keltner, “Another House” and ” Top of the Bay”, a man of few words, “my preferred medium is pastels.”
Sarah Dorrance, “Infinite Possibilities”, deals with issues of permanence.
These are some of the interesting flowers that have never bloomed and others that have bloomed twice this year in my backyard. The weather is changing, I can see it in my San Francisco, Mission District back yard.